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AEONIAN MAGAZINE

2 weeks to submit for Issue No. 13! See instructions at our website.

2 weeks to submit for Issue No. 13! See instructions at our website.

Two images featured in Issue No. 12 by Siorne John (@siornejohn) in collaboration with Jimi De Jesus (@bleujimi). “earth bled” is a series depicting a human who discovers she is bleeding dirt.

Two images featured in Issue No. 12 by Siorne John (@siornejohn) in collaboration with Jimi De Jesus (@bleujimi). “earth bled” is a series depicting a human who discovers she is bleeding dirt.

Leading up to the deadline for our open call for Issue No. 13, we will be highlighting some of our artists from last issue. Fabienne Percheron @fabienne.percheron is an artist from southwest France that creates beautiful silver gelatin prints that are altered chemically to form a wispy, veil-like exterior. Her work is inspired by the Chinese paintings and inks of the 10th-15th centuries, as she tries to visualize her sensory and emotional experiences related to her connection with nature. This series, called “The Whisper of the Wind”, is “an invitation to a poetic walk through a pine forest and its surrounding landscape in the Landes department [of France]”. This beautiful work captures the sensory experience of feeling the wind on one’s skin and the intangible energy while surrounded by a beautiful landscape.

Leading up to the deadline for our open call for Issue No. 13, we will be highlighting some of our artists from last issue. Fabienne Percheron @fabienne.percheron is an artist from southwest France that creates beautiful silver gelatin prints that are altered chemically to form a wispy, veil-like exterior. Her work is inspired by the Chinese paintings and inks of the 10th-15th centuries, as she tries to visualize her sensory and emotional experiences related to her connection with nature. This series, called “The Whisper of the Wind”, is “an invitation to a poetic walk through a pine forest and its surrounding landscape in the Landes department [of France]”. This beautiful work captures the sensory experience of feeling the wind on one’s skin and the intangible energy while surrounded by a beautiful landscape.

The call for submissions for Issue No. 13 is now open! Submissions are due July 4, 2025. See the instructions at the link in our bio under the “submit” tab. Looking forward to seeing everyone’s work!
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#photocontestalert #photocontest #repost #contests #picoftheday #photogallery #contesttime #sweepstakes #contestentry #competition #contestgram #instagood #instacontest #winner #bnw #blackandwhitephotography #experimentalphotography #contestwinner #magazine #onlinemagazine #onlinemag #submit #magazine #alternativephotography #photomag #photomagazine #polaroid #tintype #cyanotype #darkroomphotography #altphotoarchive

The call for submissions for Issue No. 13 is now open! Submissions are due July 4, 2025. See the instructions at the link in our bio under the “submit” tab. Looking forward to seeing everyone’s work!
•
•
•

#photocontestalert #photocontest #repost #contests #picoftheday #photogallery #contesttime #sweepstakes #contestentry #competition #contestgram #instagood #instacontest #winner #bnw #blackandwhitephotography #experimentalphotography #contestwinner #magazine #onlinemagazine #onlinemag #submit #magazine #alternativephotography #photomag #photomagazine #polaroid #tintype #cyanotype #darkroomphotography #altphotoarchive

Ramani Raé Richards, @madebyramanirae, is a 19 year old photographer pursing her BA in Fashion Photography. Her work “is deeply rooted in emotion, serving as a visual diary that speaks on the complexities of identity, particularly the Black experience, mixed-race identity, and the enduring sense of feeling out of place.” Richards explains that her use of tactile and intimate analog processes allows her to more deeply explore raw, complex emotions. For her, photography is more than an art form— it is an act of liberation. Read more in Issue No. 12.

Ramani Raé Richards, @madebyramanirae, is a 19 year old photographer pursing her BA in Fashion Photography. Her work “is deeply rooted in emotion, serving as a visual diary that speaks on the complexities of identity, particularly the Black experience, mixed-race identity, and the enduring sense of feeling out of place.” Richards explains that her use of tactile and intimate analog processes allows her to more deeply explore raw, complex emotions. For her, photography is more than an art form— it is an act of liberation. Read more in Issue No. 12.

J. Jason Lazarus, @obscuraworksak, is an Alaska-based photographer and educator. These beautiful mordançage pieces are part of his “Western Consumption” series in which he makes work about the destruction of the American West. In his interview, he writes, “Progress, as so many of us like to call it, has left the American West a dump site for yesterday’s best intentions… With resources outstretched, urban sprawl devours what is left of pristine wilderness as irreparable climate change burns, floods, and decimates the last records of a land once full of infinite splendor”. Read more in Issue No. 12.

J. Jason Lazarus, @obscuraworksak, is an Alaska-based photographer and educator. These beautiful mordançage pieces are part of his “Western Consumption” series in which he makes work about the destruction of the American West. In his interview, he writes, “Progress, as so many of us like to call it, has left the American West a dump site for yesterday’s best intentions… With resources outstretched, urban sprawl devours what is left of pristine wilderness as irreparable climate change burns, floods, and decimates the last records of a land once full of infinite splendor”. Read more in Issue No. 12.

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